Although I liked several of her surrealist paintings, I much preferred her later paintings, many from her stay at Sedonia, Arizona with Max Ernst – her abstracted ‘prismatic’ style. She wanted her pictures discovered slowly – ‘pictures that would shimmer and that you would discover something new every time you looked at them.’
One of my favourites is ‘Avalon’ – painted over 3 years from 1984-1987 . It is typical of her abstracted paintings, with parts of bodies and objects emerging from flower-like bursts of white and green.
I found her soft sculptures interesting though not particularly moving. The video at the end of the exhibition is excellent. Highly recommended.
Every time I go to an exhibition I think about taking up painting again – one of the many classes I took at Morley College and CityLit after I retired.
Read about my adventures at Further Education colleges in my memoir ‘Woman in a White Coat.’
Buy Woman in a White Coat on Kindle at £2.99 or as a paperback on Amazon at £9.99
Often I’ve felt overwhelmed at the Summer Exhibitions by the crowds and the works massed together higgledy-piggledy, but this year the exhibition is themed and great. It’s absolutely a ‘MUST GO’.
This fabulous exhibition made me feel I ought to get out my paints and pastels and start painting and drawing again. After I retired in 1991 I went to a wide variety of classes including drawing and painting.
Hear about the Art Class at the Mary Ward Centre in Queen Square I attended after I retired in 1991 in this excerpt from my memoir Woman in a White Coat’ – Chapter 26 pp 355-356 and pp 361-363
‘Woman in a White Coat’ is available on Kindle at £2.99 or as a paperback on Amazon at £9.99
Chapter 26 Woman in a White Coat
I enrolled for lots of classes, some at one Further Education college and some at another – painting, drawing, cooking, history of art, Spanish, creative writing, pottery, dressmaking, machine knitting, felt making – everything I hadn’t had time for when I was working. It wasn’t just that I hadn’t had the time, I hadn’t had the inclination. My mind was always so full of work. Even when I was at the theatre, I would find myself thinking about a difficult diagnosis or a hiccup in our research.
‘Fashioned from Nature’ is another large and fascinating exhibition at the V&A Museum in the Fashion Section.
On the ground floor there are numerous examples of the many creatures that we have made almost, if not entirely, extinct in order to obtain their skin, feathers, skeletons or whalebones for hats, dresses, muffs, shoes and cloaks.
On the upper floor examples of clothes made from man-made materials often using toxic materials resulting in the loss of human life.
Thank you for all those who have been coming to my talks about my memoir ‘Woman in a White Coat’ at libraries in and around Westminster and those who have written such kind reviews on Amazon.
My unique memoir is the story of a woman pathologist brought up in a cold-water tenement in London’s East End and who has also been a Harley Street dentist, an entrepreneur (co-owner of Conran-group designed educational toyshops), the director of a Cancer Research laboratory at a major London teaching hospital, as well as a wife and mother of four children.
An incredible exhibition of works carried out by Picasso in only one year – 1932. Great to exhibit so many paintings I’ve never seen before and, for once, with labels large enough to read with ease.
Hard to believe one man could produce this much work in one year though much of the colour is in flat sheets. A film of Picasso painting on glass showed just how quickly he could draw. However, I would defy him to produce this number of paintings in the styled of Las Meninas by Velasquez that he admired and of which he painted simplified derivative images.
A few sculptures and examples of his ceramics as well as images of his ‘castle’ in France.
I’m not really into jazz, Classical music is more my style, but I love going to 2 Temple Place, a fine house in a crescent off the Victoria Embankment. And the café is good too!!
The exhibition has been curated by Catherine Tackley, Professor and Head of Music at the University of Liverpool. It sets out to tell the story of the jazz age in new ways, focussing on British depictions of jazz. It helps us to understand what the music meant to artists, to assess the image of jazz in the public sphere and to see how jazz was encountered in everyday, domestic environments.
Rather to our surprise, we both loved the exhibition which was more about the bands and soloists and about the 1920s. And there wasn’t excessively loud jazz playing in the several exhibition rooms. There were displays and information about the 1920s ubiquitous banjos and a display of drums with contemporary film clips running behind them. Amazing to see musicians playing jazz while performing aerial stunts
As it’s half-term week this week, there was an event for children event upstairs. A large throw spread on the floor and delightful toddlers dancing on it to jazz music. Made me feel quite broody!!
Note: There seem to be road works everywhere in Westminster so if you’re driving be persistent – there is a way through!!
Colen examines notions of identity and individuality, set against a portrait of contemporary America.
His works are said to be read as self-portraits. Colen (born 1979 in New Jersey) must have been feeling quite down when he made this big sad Scooby Doo (Haiku 2015-17).
There are a variety of fascinating shapes punched through the walls (Livin and Dyin) of Wile E. Coyote, Kool-Aid Man, Roger Rabbit and of Colen naked. The walls are around 1 foot thick. I wonder how they were originally knocked through and whether they will be made good completely or become a permanent display.
This mysterious painting Untitled (Me and You 2006-7) is one of my favourite works from this exhibition. It is one of a series of Colen’s paintings based stills from Disney’s Pinocchio showing a candle on the workbench of Pinocchio’s creator – Geppetto.
Charles II: Art and Power – another fascinating exhibition at the Queen’s Gallery, Buckingham Palace, more interesting for it’s historical significance than the paintings. After his execution in 1649 most of Charles I’s art collection and other valuables were given away or sold by Oliver Cromwell and his party and few of value were returned.
The Collar Charles II (1630-1685) wears in this painting by John Michael Wright (1617-1694) shows that he is a member of the order of the garter; the Orb represents Christ’s Authority over the world and symbolises that he has been chosen by God to rule; the Parliamentary Robes which are made of crimson velvet with an ermine fur cape and gold lace decorations, represent Charles II’s role as head of state.
Charles II was determined to make his reign as different from that of the Puritans as possible commissioning a variety of valuable artefacts and numerous prints and paintings of himself.
This rather vulgar set of gold plate is typical of his commissions.
He also commissioned paintings and prints of his numerous mistresses including this delightful print of Nell Gwynn as Venus.
The print was adapted from a painting by Correggio which had been in the collection of Charles I. There are numerous paintings of his many other mistresses – I lost count of how many illegitimate children he fathered – as well as of his wife, the unpopular catholic Catherine of Braganza
In spite of his decree that all off Charles I’s paintings be returned, in fact very few were given back to the throne, mainly from the English.
Starting January 27th 2018 a blockbuster exhibition of Charles I’s paintings collected from the other beneficiaries of Cromwell’s distribution opens at the Royal Academy, London – ‘Charles I: King and Collector.
Last Sunday we went to see the exhibition of designs by Jewish artists who had fled the Nazi occupation of Europe. It was mainly graphic designs but also the Raleigh bicycle and the toy helter-skelter that gave children so many happy hours.
This magnificent 300-year old brass Menorah was lent by the United Synagogue. There were small menorahs to buy in the shop and a Roman coin on display that had a menorah on it.
I always feel proud to be Jewish and British when I visit the Jewish Museum. This time the temporary exhibition was mainly of graphics by Jewish refugees from war-torn Europe ravaged by the Nazis.
The permanent exhibition chronicles the repeated resistance to immigrants in the past – not only Jews but the irish and Huguenots. When will people accept that the influx of people with different skills and cultures enrich our society?
Modigliani (1884-1920) another blockbuster exhibition at Tate Modern with difficult-to-read text. In my view, if a painter chooses to give his/her painting a title, the viewer should be able to find it easily. All round this otherwise superb exhibition there were people peering at the almost unreadable text, hardly different in colour from the background. Why can’t the Tate take a leaf from the Courtauld and other galleries that actually care about their visitors?
What a great time to live in Paris at the turn of the 20th century!! Not only Italian born Modigliani but his friends Soutine, Picasso and Brancusi amongst others. Diego Rivera even stayed with him for a time.
‘ONE, TWO, THREE, SWING!’. SUPERFLEX Hyundai commission in the Turbine Hall and in the grounds outside. Have a swing if you’ve had enough of looking at ART.