I met Jody Medland of Penworksmedia at Indie Insights, a meeting on self-publishing, . He self-published his scary thriller The Moors, a gothic tale of murder and child abuse set in present day Cornwall, and his company is about to publish a variety of books by other authors.
Jody liked the first three chapters of my memoir – Woman in a White Coat – so I am busy giving the manuscript a final edit before sending it to him.
I had originally written my memoir starting with my medical career, each chapter having flashbacks to my childhood. However, I decided it would work better if I split my memoir into two. Now, Volume 1 will cover my childhood until I start at medical school, 1931-1953. Volume 2 will take it from there.
David Headley, who heads DHH Literary Agency and with Daniel Gedeon owns Goldsboro books, together with Clays, who print both self-published books and books from mainstream publishers, last week hosted a most informative evening, Indie Insights, about self-publishing at the Goldsboro Bookshop in Cecil street.
Andrew Lowe from Andrew Lowe Editorial gave a talk about the need for meticulous editing; Mark Ecob from MECOB design spoke about cover design – and later sent me copies of some of his fabulous covers, James Bond from Whitefox emphasized the need for a concerted publicity campaign, while David Headley finished with a talk about the advantages of being published in the more traditional way.
For me the take home messages were that self-published books need to be as professionally produced as those put out by the main publishing houses, that self-publishing requires a lot of effort and a not inconsiderable amount of money if the result is to be first class but that it can be extremely rewarding for the author who has so much more control over the finished product. Self-published books really start to make money with the first reprint since the origination costs have now been covered.