On February 6th 1918 – one hundred years ago tomorrow – women in the UK were given the vote if they were over 30 and moderately wealthy. They had to be householders, or the wives of householders, or occupiers of property with an annual rent of at least £5 (just under £200 in today’s money but at a time when rents were much, much lower) or graduates of British universities. It wasn’t for another 10 years that the franchise was extended in 1928 to women over 21 – giving them the same rights as men.
More important for my own future was the fact that my parents got married in 1918 on October 6th just over a month before the Great War of 1914-18 ended.
As you can see from this sepia photograph, like me, my mother was five foot nothing next to my father’s six foot. If you look carefully, you can see the bump in the carpet where the photographer placed a small stool to make the disparity in their height a little less obvious.
My father was the sixth, and last but one, son of a wealthy Hebrew book printer. Samuel Waterman, my paternal grandfather, was a Freemason and an important member of his synagogue. He frequently travelled abroad, ostensibly on business, though in fact, it was said it was to visit his mistress in Paris.
Happy New Year – and many more to come for all of you wonderful people who have been following my blog and reading my memoir ‘Woman in a White Coat.’
Always great having Louise and her family over from the Basque Country for the New Year and Simon and Bernard and his girlfriend coming to dinner tomorrow. Has to be vegetarian for Bernard and Josh is cooking vegetable cottage pie. I’m going to make the desert – Plum Traybake.
Louise made a great flyer to take to independent bookshops. A few have agreed to stock my book.
So pleased that after a fairly horrendous experience with a company putting my memoir Woman in a White Coat on Amazon, my memoir is available for pre-order at £9.99 from Amazon or from your local bookstore. Had a wonderful trio of professionals – Nathan Burton Cover designer, M Rules Typesetters and Clays the Printers.
The cover designer, Nathan Burton, produced lots of possible designs for the cover. I could have chosen any one – they were so great. I chose the blue and turquoise version of this design but nearly picked this one instead.
it’s bright and cheerful but I felt the colourway I chose had more gravitas!!
This was the most striking design but I didn’t want to use a picture of me. I chose to write my memoir under the pseudonym of Dr Abby J Waterman and so I didn’t pick this one.
The original photograph is of me with a ‘phantom head’ – a metal skull into which plaster casts are fixed bearing real teeth that have ben extracted for reasons such as periodontal disease.
We practiced cutting cavities and inserting fillings and crowns on them. We gave them names and got quite fond of them!!
Dali/Duchamp exhibition at the Royal Academy was an eye-opener. I had no idea Salvador Dali (1904-1989) and Marcel Duchamp (1887-1968) were such great friends. I knew little about Duchamp’s work other than that he pioneered the display of ready made objects as works of art including his infamous Fountain – a urinal inscribed R. MUTT 1917 and had seen and admired The bride Stripped Bare by her Bachelors, Even (The large glass). it was interesting to see that early on he was a conventional representational artist. Having teenage children at the height of the Surrealist craze I got to know Dali’s work and visited a fascinating exhibition of his work in Richmond, Virginia which included a jewelled beating heart.
The strange thing for me about seeing the exhibition is that I saw the bent watches in the famous Dali painting The Persistence of Memory 1931 (not shown in this exhibition) as well as some artefacts by Jeff Coons, in one of my delusions while in Critical Care following my heart attack last year.
Up to 80% of patients in Intensive Care suffer periods of delirium and I had several. My very caring consultant was concerned that the memory of some of my delusions might be upsetting but they gave me just the material I needed for the last chapter of my memoir Woman in a White Coat.
The exhibition included some interesting short videos as well as lots of works I hadn’t seen before.
I’ve liked Rachel Whiteread’s work ever since I saw her House in Bethnal Green and though I don’t care for the insides of rubber hot water bottles shown on the Tate Britain poster I pretty much liked everything else in her exhibition.
I think this resin hive was my favourite though I found it hard to choose. I loved the way the light was reflected inside it.
It made me want to crawl inside.
I’d forgotten that Rachel Whiteread’s Untitled Monument 2001 was the third project to be placed on Trafalgar Square’s 4th plinth.
The first project in 1999 was Mark Wallinger’s Ecce Homo, a life sized figure of Christ and the 2nd was Bill Woodrow’s Regardless of History 2000 which is a head crushed between a book and the roots of a tree.
You can read my memoir Woman in a White Coat on Amazon Kindle as well as Google, Kobo, Barnes and Noble, and iBooks.
What a great experience!! As I am now an 86-year-old, I expected some difficulty, but it couldn’t have been easier. And they were fantastic at answering my queries by email.
I didn’t use them for Amazon because while they offer 70% royalties to US authors they only offer 41% to those in the UK. If I write another book, I might consider using them for Amazon too – though as I pointed out to Pronoun, it seems most unfair that authors on this side of the pond will earn so much less!!
I didn’t really know Jasper Johns’ work and now I’ve seen it I’m not impressed. The RA provides a very good audio guide free and his one-time assistant is full of praise and how important his work was.
I liked the image on the poster the RA used but thought the real thing – a collage of a physical broom, a hanging cup, with a brass frame and knives forks and spoons embedded in the brass frame just silly. I like lots of modern art but his work just doesn’t speak to me at all. And I prefer the real flag!!
I emailed all my friends with the good news that my memoir Woman in a White Coat was finally on Kindle and the response has been amazing. Thank you all. I was expecting you to just use the ‘Look Inside’ feature or get a free sample, but you’ve been buying it. I might yet get to be a millionaire!!
Thank you all especially the first and the last of my Writing Circles, all the Creative Writing tutors at the Mary Ward Centre, Morley College and CityLit, the literary agents who wrote encouragingly but didn’t take me on because I’m not a celebrity, my various mentors except the one that discouraged me so much I stopped writing for a year and everyone else who ploughed their way through my many drafts.