Tag Archives: Art

TATE BRITAIN WILL OPEN ON JULY 27th

Tate Britain on Millbank, London

‘THANK YOU KEYWORKERS’ and ‘SEE YOU ALL SOON’ banners have been put up, with the small white ‘TATE BRITAIN IS CLOSED’ board by the front door ready to be removed. The black and white banner advertising the Beardsley exhibition is on the right.

It’s great that London art galleries are starting to open, though I’m not sure we’ll be brave enough to visit them and risk there being large crowds, even if the galleries themselves are set up to regard social distancing.

As well as Steve McQueen Year 3, described as one of the most ambitious portraits of children ever undertaken in the UK, Tate Britain will continue to show the Aubrey Beardsley exhibition which opened on March 4th. Then lockdown was imposed and the gallery closed on March 17th. However, on March 30th BBC4 showed an excellent program by Mark Gatiss about Beardsley, still available on iPlayer.

I knew Aubrey Beardsley’s work from his illustrations of Andrew Lang’s Fairy Books. I can visualise the tall bookcases in the children’s section of Whitechapel Library where his books lived. I was always small for my age and had to get a librarian to hand me one down. I assume the publisher didn’t use any of his more risqué drawings, but while they were a bit frightening, I loved them.

Since Tate Britain closed, we have been going there for our Sunday walks. It is always very peaceful – the occasional jogger, a few couples with a baby in a pushchair and a little Chinese grandfather we meet every week. He leads his toddler grandson up the stairs, round the side and down again; gives us a quick smile and walks on.

Our younger son has cycled over to meet us on a couple of Sundays. When I was taking a series of Art History classes in galleries, I bought a folding stool which was much lighter than those provided by the galleries. We took it with us so we could sit on the bench at the side of the stairs and Bernard could sit on the stool the required 2m away.

After July 27th we’ll have to change where we take our weekly exercise. Hopefully, the gallery will be very busy and it might be difficult for us to keep our distance outside.

Lots more stories like this in my memoir ‘Woman in White Coat’. Buy it on Kindle at £2.99 or as a paperback on Amazon at £9.99

http://bit.ly/Woman_in_a_White_Coat

Woman in a White Coat

 

‘PICASSO ON PAPER’ AT THE ROYAL ACADEMY UNTIL APRIL 13th

‘Les Femmes d’Alger’ after Delacroix (Oil on canvas 1955)

I remember when after WW2 ended, we first saw Picasso’s Cubist portraits with noses and eyes going every which way.

‘My two-year old could do better than that,’ was a common response at the time.

We hadn’t released that his was an intentional interpretation of reality and not lack of ability.

I retired at 60, but Josh went on working until he was 65, so I took some short trips on my own to visit Louise and her family in San Sebastian. On one of them, she and Mark took me to the rebuilt town of Guernica, where there was an exhibition about Picasso’s painting ‘Guernica’, in memory of the bombing by Nazi warplanes at the beginning of the Spanish civil war. Not until after the death of the fascist dictator, Franco, did Picasso allow his original painting to come back to Spain. It is now housed permanently in the Museo Reina Sofía in Madrid.

There was a large reproduction of ‘Guernica’, and on either side copies of Picasso’s working drawings. That’s when I realised for the first time what an incredible draftsman he was. There were drawings of feet and heads – and of course his beloved bulls – all drawn in exquisite detail, before being converted into the distorted figures of his final work.

The present exhibition of Picasso’s work at the Royal Academy ‘Picasso on Paper’ is huge. There are works from all of his various periods. As well as his works on and with paper, there are a few oil paintings, sculptures and three dimensional collages. A veritable feast that needs more than one visit.

It was with great relief that we discovered the little bistro-type café set up at the back of the Royal Academy shop, complete with paper tablecloths and coloured pencils so you can imitate Picasso’s habit of drawing on anything and everything. And good strong coffee and crispy croissants.

It’s a must if you can visit London.

On Sunday February 9th on BBC4 you can watch at 9pm ‘The Many Faces of Picasso’ and at 10pm ‘Picasso’s Last Stand.’ Or on iPlayer

I thank all the lovely people who wrote and commented on my memoir ‘Woman in a White Coat.’

‘Woman in White Coat – the memoir of girl growing up the East End making good.

Buy it on Kindle at £2.99 or as a paperback on Amazon at £9.99 http://bit.ly/Woman_in_a_White_Coat

ALL 6s AND 7s – ACCORDING TO WILLIAM SHAKESPEARE

Age 6 from Rachel Mulligan’s sequence ‘Seven Ages of Man’ stained glass roundels illustrating the life of her father Jim Mulligan, Stained Glass Museum, Ely Cathedral

On my way home from seeing the audiologist about my hearing aids, I thought about all the ‘falsies’ now available to us. I don’t have those we usually associate with the term – when I had surgery for breast cancer immediate reconstruction wasn’t on offer, but I have been fitted with some of the other prosthetic replacements hardly dreamt of when Jacques in Shakespeare’s ‘As You Like It’ spoke of the Seven Ages of Man.

In the UK by 2018 the expectation of life for men was 79.6 and for women 83.2. In Shakespeare’s time, in the 16th century, the expectation of life for both was just under 40, given the high mortality during infancy and childbirth. At 40, I’d have thought myself in the prime of life and was just about to start my specialist training as a consultant pathologist. My final career was just about to begin.

‘The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose’

‘Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.’

I used to be lean and wish I were again. I’ve more ‘the fair round belly’ of the Justice and I only wear slippers at home – haven’t yet descended into going out in them, nor in curlers. I’ve most of my own teeth with only one false tooth – a bridge supported by a tooth on either side, and since having my cataracts removed and false lenses inserted, I no longer wear spectacles,. Also, I have a false hip after fracturing the neck of my right femur in Spain in 2000.
I’m not sure about the ‘second childishness’, though every now again, when I try to remember a word or a name, I experience the ‘mere oblivion’. But so at times so do my children and grandchildren. Immediately after my heart attack I virtually lost my sense of taste and some manual dexterity, but they’re mostly back now.
Lucky we didn’t live in Shakespeare’s time, when ‘sans teeth, sans eyes, sans taste, sans everything’ meant literally that!!

Lots more like this in my memoir ‘‘Woman in White Coat’. Buy it on Kindle at £2.99 or as a paperback on Amazon at £9.99

http://bit.ly/Woman_in_a_White_Coat

Woman in a White Coat paperback

Fantastic Frank Bowling at Tate Britain, London

Traingone (Mahaicony Abary, Guyana)
1996

I hadn’t heard of Frank Bowling  until I saw the program ‘What do artists do all day‘ on BBC which featured him and his work.

The big queues at Tate Britain at the moment  are for Van Gogh in Britain  but upstairs you can find Frank Bowling’s exciting exhibition.

I quite liked his earlier more representational art, but it is his  heavily textured abstract paintings that are so amazing. As you gaze at them you are drawn into some faraway place.

Art exhibitions always tempt me to take up drawing and painting again but what with Classical Greek, the Piano  and Writing the sequel ’25 Houses’ to my memoir ‘Woman in a White Coat’   I just haven’t found the time.

Perhaps next week!!

Dorothy Tanning Tate Modern London

One of Tanning’s Surrealist paintings

Dorothy Tanning ‘s Surrealist paintings (1910-2012) are very reminiscent of those of one of my favourite painters, Leonora Carrington (1917-2011), her contemporary and also a lover of Max Ernst (1891- 1976), a Dadaist and Surrealist who had left his wife for Dorothy Tanning.

Although I liked several of her surrealist paintings, I much preferred her later paintings, many from her stay at Sedonia, Arizona with Max Ernst – her abstracted ‘prismatic’ style. She wanted her pictures discovered slowly – ‘pictures that would shimmer and that you would discover something new every time you looked at them.’

Avalon (1987). begun in 1984

One of my favourites is ‘Avalon’ – painted over 3 years from 1984-1987 . It  is typical of her abstracted paintings, with parts of bodies and objects emerging from flower-like bursts of white and green.

I found her soft sculptures interesting though not particularly moving. The video at the end of the exhibition is excellent. Highly recommended.

Every time I go to an exhibition I think about taking up painting again – one of the many classes I took at Morley College and CityLit after I retired.

Read about my adventures at Further Education colleges in my memoir ‘Woman in a White Coat.’

Buy Woman in a White Coat on Kindle at £2.99 or as a paperback on Amazon at £9.99

http://bit.ly/Woman_in_a_White_Coat

 

250th Summer Exhibition Royal Academy, London. Reading #3 My Art Class from ‘Woman in a White Coat’

What a brilliant idea!!

What a brilliant idea – having Grayson Perry curate this important 250th Summer Exhibition at the Royal Academy.

 

Royal Valkyrie by Joana Vasconcelos

 

 

The brilliant mixed media sculpture by Joana Vasconcelos greets you as you enter. And I loved the Architecture Room.

 

The Architecture Room

 

Often I’ve felt overwhelmed at the Summer Exhibitions by the crowds and the works massed together higgledy-piggledy, but this year the exhibition is themed and great. It’s absolutely a ‘MUST GO’.

This fabulous exhibition  made me feel I ought to get out my paints and pastels and start painting and drawing again. After I retired in 1991 I went to a wide variety of classes including drawing and painting.

Hear about the Art Class at the Mary Ward Centre in Queen Square I attended after I retired in 1991 in this excerpt from my memoir Woman in a White Coat’  – Chapter 26 pp 355-356 and pp 361-363

Woman in a White Coat’  is available on Kindle at £2.99 or as a paperback on Amazon at £9.99

Chapter 26 Woman in a White Coat

I enrolled for lots of classes, some at one Further Education college and some at another – painting, drawing, cooking, history of art, Spanish, creative writing, pottery, dressmaking, machine knitting, felt making – everything I hadn’t had time for when I was working. It wasn’t just that I hadn’t had the time, I hadn’t had the inclination. My mind was always so full of work. Even when I was at the theatre, I would find myself thinking about a difficult diagnosis or a hiccup in our research.

Continue reading 250th Summer Exhibition Royal Academy, London. Reading #3 My Art Class from ‘Woman in a White Coat’

V&A London ‘Fashioned from Nature’. Vanities, Vanities, all is Vanities.

 

fascinating and worrying exhibition

‘Fashioned from Nature’ is another large and fascinating exhibition at the V&A Museum in the Fashion Section.

On the ground floor there are numerous examples of the many creatures that we have made almost, if not entirely, extinct in order to obtain their skin, feathers, skeletons or whalebones for hats, dresses, muffs, shoes and cloaks.

On the upper floor examples of clothes made from man-made materials often using toxic materials resulting in the loss of human life.

My favorite poster

Thank you for all those who have been coming to my talks about my memoir ‘Woman in a White Coat’ at libraries in and around Westminster and those who have written such kind reviews on Amazon.

My unique memoir is the story of a woman pathologist brought up in a cold-water tenement in London’s East End and who has also been a Harley Street dentist, an entrepreneur (co-owner of Conran-group designed educational toyshops), the director of a Cancer Research laboratory at a major London teaching hospital, as well as a wife and mother of four children. 

The EY Exhibition Picasso 1932 – Love, Fame, Tragedy; Tate Modern London

An incredible exhibition of works carried out by Picasso in only one year – 1932.  Great to exhibit so many paintings I’ve never seen before and, for once, with labels large enough to read with ease.

Hard to believe one man could produce this much work in one year though much of the colour is in flat sheets. A  film of Picasso painting on glass showed just how quickly he could draw. However, I would defy him to produce this number of paintings in the styled of Las Meninas by Velasquez that he admired and of which he painted simplified derivative images.

A few sculptures and examples of his ceramics as well as images of his ‘castle’ in France.

Tate Modern has done it again!!

Woman in a White Coat still doing well. many thanks to my readers.

Rhythm and Reaction. The Age of Jazz in Britain at 2 Temple Place London, WC2R 3BD

At 2 Temple Place

I’m not really into jazz, Classical music is more my style, but I love going to 2 Temple Place, a fine house in a crescent off the Victoria Embankment. And the café is good too!!

The exhibition has been curated by Catherine Tackley, Professor and Head of Music at the University of Liverpool. It sets out to tell the story of the jazz age in new ways, focussing on British depictions of jazz. It helps us to understand what the music meant to artists, to assess the image of jazz in the public sphere and to see how jazz was encountered in everyday, domestic environments.

Rather to our surprise, we both loved the exhibition which was more about the bands and soloists and about the 1920s. And there wasn’t excessively loud jazz playing in the several exhibition rooms. There were displays and information about the 1920s ubiquitous banjos and a display of drums with contemporary film clips running behind them. Amazing to see musicians playing jazz while performing aerial stunts

What about Health and Safety??
Several different combos were on show

 

 

 

 

 

As it’s half-term week this week, there was an event for children event upstairs. A  large throw spread on the floor and delightful toddlers dancing on it to jazz music. Made me feel quite broody!!

Thank you all for coming to my talk at Victoria library on my memoir Woman in a White Coat.

 

Dan Colen’s ‘Sweet Liberty’ at Damien Hirst’s Newport Street Gallery, London

Dan Colen at the Newport Street Gallery

Another fun exhibition – Dan Colen’s ‘Sweet Liberty’ –  at Damien Hirst’s spacious Newport Street Gallery has now  been extended until January 28th.

Note: There seem to be road works everywhere in Westminster so if you’re driving be persistent – there is a way through!!

Colen examines notions of identity and individuality, set against a portrait of contemporary America.

Haiku (2015-17)

His works are said to be read as self-portraits. Colen (born 1979 in New Jersey) must have been feeling quite down when he made this big sad Scooby Doo (Haiku 2015-17).

There are a variety of fascinating shapes punched through the walls (Livin and Dyin) of Wile E. Coyote, Kool-Aid Man, Roger Rabbit and of Colen naked. The walls are around 1 foot thick. I wonder how they were originally knocked through and whether they will be made good completely or become a permanent display.

Untitled (Me and You) 2006-7

This mysterious painting Untitled (Me and You 2006-7)  is one of my favourite works from this exhibition. It is one of a series of Colen’s paintings based stills from Disney’s Pinocchio showing a candle on the workbench of Pinocchio’s creator – Geppetto.