On February 6th 1918 – one hundred years ago tomorrow – women in the UK were given the vote if they were over 30 and moderately wealthy. They had to be householders, or the wives of householders, or occupiers of property with an annual rent of at least £5 (just under £200 in today’s money but at a time when rents were much, much lower) or graduates of British universities. It wasn’t for another 10 years that the franchise was extended in 1928 to women over 21 – giving them the same rights as men.
More important for my own future was the fact that my parents got married in 1918 on October 6th just over a month before the Great War of 1914-18 ended.
As you can see from this sepia photograph, like me, my mother was five foot nothing next to my father’s six foot. If you look carefully, you can see the bump in the carpet where the photographer placed a small stool to make the disparity in their height a little less obvious.
My father was the sixth, and last but one, son of a wealthy Hebrew book printer. Samuel Waterman, my paternal grandfather, was a Freemason and an important member of his synagogue. He frequently travelled abroad, ostensibly on business, though in fact, it was said it was to visit his mistress in Paris.
Note: There seem to be road works everywhere in Westminster so if you’re driving be persistent – there is a way through!!
Colen examines notions of identity and individuality, set against a portrait of contemporary America.
His works are said to be read as self-portraits. Colen (born 1979 in New Jersey) must have been feeling quite down when he made this big sad Scooby Doo (Haiku 2015-17).
There are a variety of fascinating shapes punched through the walls (Livin and Dyin) of Wile E. Coyote, Kool-Aid Man, Roger Rabbit and of Colen naked. The walls are around 1 foot thick. I wonder how they were originally knocked through and whether they will be made good completely or become a permanent display.
This mysterious painting Untitled (Me and You 2006-7) is one of my favourite works from this exhibition. It is one of a series of Colen’s paintings based stills from Disney’s Pinocchio showing a candle on the workbench of Pinocchio’s creator – Geppetto.
Charles II: Art and Power – another fascinating exhibition at the Queen’s Gallery, Buckingham Palace, more interesting for it’s historical significance than the paintings. After his execution in 1649 most of Charles I’s art collection and other valuables were given away or sold by Oliver Cromwell and his party and few of value were returned.
The Collar Charles II (1630-1685) wears in this painting by John Michael Wright (1617-1694) shows that he is a member of the order of the garter; the Orb represents Christ’s Authority over the world and symbolises that he has been chosen by God to rule; the Parliamentary Robes which are made of crimson velvet with an ermine fur cape and gold lace decorations, represent Charles II’s role as head of state.
Charles II was determined to make his reign as different from that of the Puritans as possible commissioning a variety of valuable artefacts and numerous prints and paintings of himself.
This rather vulgar set of gold plate is typical of his commissions.
He also commissioned paintings and prints of his numerous mistresses including this delightful print of Nell Gwynn as Venus.
The print was adapted from a painting by Correggio which had been in the collection of Charles I. There are numerous paintings of his many other mistresses – I lost count of how many illegitimate children he fathered – as well as of his wife, the unpopular catholic Catherine of Braganza
In spite of his decree that all off Charles I’s paintings be returned, in fact very few were given back to the throne, mainly from the English.
Starting January 27th 2018 a blockbuster exhibition of Charles I’s paintings collected from the other beneficiaries of Cromwell’s distribution opens at the Royal Academy, London – ‘Charles I: King and Collector.
Happy New Year – and many more to come for all of you wonderful people who have been following my blog and reading my memoir ‘Woman in a White Coat.’
Always great having Louise and her family over from the Basque Country for the New Year and Simon and Bernard and his girlfriend coming to dinner tomorrow. Has to be vegetarian for Bernard and Josh is cooking vegetable cottage pie. I’m going to make the desert – Plum Traybake.
Louise made a great flyer to take to independent bookshops. A few have agreed to stock my book.
So pleased that after a fairly horrendous experience with a company putting my memoir Woman in a White Coat on Amazon, my memoir is available for pre-order at £9.99 from Amazon or from your local bookstore. Had a wonderful trio of professionals – Nathan Burton Cover designer, M Rules Typesetters and Clays the Printers.
The cover designer, Nathan Burton, produced lots of possible designs for the cover. I could have chosen any one – they were so great. I chose the blue and turquoise version of this design but nearly picked this one instead.
it’s bright and cheerful but I felt the colourway I chose had more gravitas!!
This was the most striking design but I didn’t want to use a picture of me. I chose to write my memoir under the pseudonym of Dr Abby J Waterman and so I didn’t pick this one.
The original photograph is of me with a ‘phantom head’ – a metal skull into which plaster casts are fixed bearing real teeth that have ben extracted for reasons such as periodontal disease.
We practiced cutting cavities and inserting fillings and crowns on them. We gave them names and got quite fond of them!!
Dali/Duchamp exhibition at the Royal Academy was an eye-opener. I had no idea Salvador Dali (1904-1989) and Marcel Duchamp (1887-1968) were such great friends. I knew little about Duchamp’s work other than that he pioneered the display of ready made objects as works of art including his infamous Fountain – a urinal inscribed R. MUTT 1917 and had seen and admired The bride Stripped Bare by her Bachelors, Even (The large glass). it was interesting to see that early on he was a conventional representational artist. Having teenage children at the height of the Surrealist craze I got to know Dali’s work and visited a fascinating exhibition of his work in Richmond, Virginia which included a jewelled beating heart.
The strange thing for me about seeing the exhibition is that I saw the bent watches in the famous Dali painting The Persistence of Memory 1931 (not shown in this exhibition) as well as some artefacts by Jeff Coons, in one of my delusions while in Critical Care following my heart attack last year.
Up to 80% of patients in Intensive Care suffer periods of delirium and I had several. My very caring consultant was concerned that the memory of some of my delusions might be upsetting but they gave me just the material I needed for the last chapter of my memoir Woman in a White Coat.
The exhibition included some interesting short videos as well as lots of works I hadn’t seen before.
What a great experience!! As I am now an 86-year-old, I expected some difficulty, but it couldn’t have been easier. And they were fantastic at answering my queries by email.
I didn’t use them for Amazon because while they offer 70% royalties to US authors they only offer 41% to those in the UK. If I write another book, I might consider using them for Amazon too – though as I pointed out to Pronoun, it seems most unfair that authors on this side of the pond will earn so much less!!
Blog by Dr Abby J Waterman and her new book, Woman in a White Coat